Collection: FP2P Book 01
A chance encounter, and a potential new ally.
Bonus Content: Pride 2025 Art. Szelek and Ferris leaning into and smiling at each other. Szelek has a pansexual flag painted on his cheek, and Ferris has the standard rainbow flag on one and the trans-inclusive gay flag on the other. The image is bordered in a heart with lace and a rainbow lace background.
Full color page of the whole gang of Ferris' theater troupe at the Eventide, sharing some hot gossip while Hamlin looks for Midnas, or perhaps some other hottie. In the background Szelek, Midnas and Javier are watching the group, or more specifically Ferris, with various intentions.
Full page spread of Ferris with his black aura and red and black eyes in front of a blood red crescent moon and a star. These mirror one of the moon and star symbols on the blood covered dagger Ferris is holding up as he laughs maniacally.
Panel 1: Javier hunches, shaking and bleeding while clutching his chest as Ferris rips the dagger out taking some kind of essence out of him with it. Ferris looks smug with a black haze around him and black encroaching on his redded out eyes. He says, "You put the boy to sleep..."
Panel 2: Javier crumples to the ground in front of a smiling evil Ferris who finishes "...and let ME out."
Panel 3: Insert close up of the dagger as something looking like a screaming soul of Javier gets sucked into the dagger. There's some off screen laughter starting up.
Panel 4: Shot from a high angle behind Ferris at the end of the bridge as he kicks Javier's body into the canal below. That laughter is picking up.
Panel 1: Javier fully vamps out again, going for an unconscious Ferris' throat. There's an effect to indicate Ferris' twitching in Javier's hands despite the sleep charm.
Panel 2: There's a snapping thread effect on the border of the panel break as Javier is stabbed. The knife sticks out his back covered in blood that drips into the panel behind it, and bloody spittle flying out of his mouth. There's a massive HRRK! sound effect.
Panel 3: Negative (black background with white lines) of Javier's eyes going wide in surprise.
Panel 4: The panel breaks on top of the negative panel. Javier, shaking and coughing with limp hair stares with surprise Ferris who holds a dagger through Javier's chest. Ferris' face is shadowed and facing away from camera. Javier stutters out in confusion "I... put you... to sleep?"
Panel 1: Strongly silhouetted Javier standing up and wiping blood from his mouth, fangs flashing and eyes fully vamped out. From off screen Ferris is saying "Gods below... you're a fucking vamp--"
Panel 2: Close up on Javier's face with his eyes wide and glowing a spiral of red on red as he cuts Ferris off with a magically charged command to "Sleep."
Panel 3: The effect transfers to Ferris, outlining his iris in red as he begins to slump from losing consciousness.
Panel 4: Javier uses his vampire speed to catch Ferris as he falls.
Panel 5: Javier is holding Ferris, whose back is to the camera as he slumps unconscious in Javier's grip. Javier exclaims to no one in particular, "I thought you'd never realize it. Ah well, a pretty snack if a bit dense." If you look closely it seems Ferris' ear and neck are twitching.
Panel 1: Javier, vamped out with crazy black and red eyes, leans in toward Ferris' exposed neck, veins showing and making a ba-bump, ba-bump sound. JAvier says, "Your blood is absolutely rushing, Pet."
Panel 2: Reverse the shot to see Ferris smiling and Javier in silhouette. Ferris replies, "Perhaps I should sit down." He obviously can't see how camped Javier is right now.
Panel 3: Javier is holding on to Ferris, supporting his back while pressing him into the bridge railing with his hips and pulling Ferris' shirt collar away from his neck. He seems to be going in for a "kiss" as he says, "No need." Ferris has his eyes closed in antici......pation, murmuring "Mmmm...<3"
Panel 4: Ferris' neck is fully exposed and looking away as Javier comes in, still vamped licking up his neck with teeth poised. He says, "I won't let a treat like you fall."
Panel 5: Extreme close up on Javier's teeth as they finally sink in to Ferris' neck. There's an "Ah!" from Ferris at the sudden pain.
Panel 6: Ferris is wincing against Javier's shoulder, while Javier's face is still hidden, buried in Ferris' neck. Ferris groans "Ah! Javier?"
Panel 7: Ferris has had enough, exclaiming "Javier fu-- that fucking hurts!" as he shoves Javier back away from him.
Panel 1: Javier and Ferris continue making out with Javier pinning Ferris back into the railing of the bridge with hands and hips. There's a hint of Ferris' fingertips peeking from behind Javier's hair on his neck.
Panel 2 (Insert): Close up on Ferris' hand firmly grabbing and groping Javier's crotch. Probably has his whole dick and balls in that firm grip.
Panel 3: Javier grabs Ferris' offending hand, removing it from his pants and pulling Ferris' hair back sharply as a warning. Ferris just smiles and laughs it off, caught red handed being impatient again.
Panel 4: Javier has Ferris' head turned away from camera, with his collar in one clawed hand as Javier trails his tongue along Ferri's neck leaving a trail of spit. Javier's fangs are fully out and his eyes have gone all vampy again. Ferris is completely oblivious, twitching and making some suggestively loud breathing noises at the sensation of Javier's tongue on his neck.
Panel 5: Ferris looks toward Javier with heavily lidded eyes and a bit of drool dripping down his face and neck and a big grin, still breathing heavily. Ferris says, "The wine must be hitting me all of a sudden. I feel light-headed." Javier has a hand on his face, but we only see the back of his head in foreground shadow in this shot.
Panel 1: Javier starts to say something to Ferris, beginning with "You have..." as he drops his hands from the finger frame from the last page and begins to transform into a shadowy mist. The mist overflows the bottom and right side of the panel, moving over and into the next panel.
Panel 2: Javier's mist moves behind Ferris, who is still gazing off the bridge into the city or the canal and seemingly doesn't notice as Javier beings to materialize behind him. Javier's clawed hands reach out for him menacingly to the viewer.
Panel 3: Javier grabs and spins Ferris around, now almost entirely back to normal, save for some shadow effect at his legs and feet. Ferris looks suprised as he stabilizes himself on the railing of the bridge now pinned there by Javier. Javier finishes his sentence, "...absolutely no patience. But then again..."
Panel 4: Close up on Javier taking Ferri's face in a hand and leaning in like he's going for a kiss. He finishes, "...your allure is testing mine as well." Ferris has calmed and looks like he actually does want that kiss.
Panel 5: Finally Javier and Ferris start making out, with Javier holding Ferris jaw and back of his neck in his hand, pulling Ferris into the kiss.Lots of hearts and smooching sounds.
Panel 1 & 2: Third page environmental shot of an elegant stone walking bridge with iron trellises for flowers across a small canal. There's an insert panel of Javier saying "As promised" to a shocked Ferris as the round a corner. Ferris replies with "Well... I suppose it is pretty.
Panel 3: Ferris has hopped up onto the bridge grabbing the trellis in one hand and leaning back seductively to Javier saying " What do you think? Do my eyes catch the moonlight as well as you'd hoped?"
Panel 4: Reverse shot of Javier making the framing hands by his face as if to frame Ferris with his thumb and index fingers. Javier stands at the base of the bridge still, and there's a silhouette of Ferris' ass at the top where Javier is looking.
Panel 5: Javier's POV with the silhouetted fingers framing the shot of Ferris from behind, shaking his ass at Javier as he says, "I look even better with my clothes off..."
Panel 6: Still Javier's POV with the finger frame but zoomed in on Ferris' face, specifically his neck where we can see Javier focusing on his cartoid artery. Ferris is smirking over his shoulder at Javier, unaware of his focus on blood, and continuing his line from the previous panel, "...should we ever make it to your place."